Concert Review: Pacific Amphitheatre, Costa Mesa, CA 7/28/10
Alliholics | Aug 05, 2010 | Comments 16

Picture by @orchidas
Watch the videos and other media for that tour stop: HERE
Blog review from the Costa Mesa show by Randi Reed of Music Biz Advice Blog. Only the Allison part is included, if you would like to read the entire review, follow the link here
Allison Iraheta:
One of the frustrating things about American Idol has been its skill at killing a good artist’s rock cred. Idol’s core audience tends to be frightened by anything edgy or angry, and the audience that would usually like the edgier contestants is kept away by the perception that anyone who’s been on American Idol can’t possibly be cool.
This, I fear, may be the nemesis of Allison Iraheta’s career: the girl is just too cool for American Idol.
With powerful stage presence and a flirty-cool rocker chick stage persona, she comes off wise beyond her years. Her naturally raspy voice sounded a little tour –weary, but somehow works for her, and sounded edgy and cool, rather than tired.
In fact, she reminds me a little of the Divinyls’ Christina Amphlett, but with her own unique vibe, and I can see her potential to develop a similar cult following. But then there’s that damn American Idol thing hanging on her back.
She performed a good set overall, with a decent band, albeit with some “help”: it bothered me that I could hear her voice on the backup vocals and not just on the lead. With her talent, Allison Iraheta doesn’t need to resort to such tricks, which only further lessen her credibility in the rock world…which is a shame, because without the Idol mark on her back, I feel she could be a contender to be huge in the rock world. (A colleague remarked, “Maybe she could change her name and start over to get rid of the Idol thing?”)
All in all, I enjoyed Allison’s set and would see her again; frankly, I enjoyed her performance more than Orianthi’s. Aside from the vocal help, the only major flaw I could find with Allison Iraheta’s performance was that it came to an abrupt end; she ran offstage with nary a “thank you”, bow, or goodnight.
But first tours are for learning that sort of thing.
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